With unparalleled depth and breadth, Cinema Scope is one of the most respected English-language publications on film worldwide. Cinema Scope unites experienced critics from across North America with up-and-coming writers. Packed with reviews, essays, festival reports, and interviews, we’re geared to cinephiles looking for an intelligent forum on world cinema. “Advocates for a passionate, poltical and purist engagement with the movies”—The New York Times
Cinema Scope
Editor’s Note
Back to Zero • The Experimental Cinema of Jean Eustache
Life Belongs to Us • The Eternal Return of Jacques Becker and Claude Sautet
Master at Work • Paul Schrader on Master Gardener
Picturers of Flowers • On Recent Small-Gauge Filmmaking in and Around Spain
The Dream’s Dream • Lisandro Alonso on Eureka
Close Your Eyes • Víctor Erice, Spain
Anatomie d’un chute • Justine Triet, France
Fallen Leaves • Aki Kaurismäki, Finland/Germany
La Chimera • Alice Rohrwacher, Italy/France/Switzerland
Pedro Costa and Wang Bing, Music and Reality
Inside the Yellow Cocoon Shell • Pham Thien An, Vietnam/Singapore/France/Spain
The Girl and Her Trust • Sean Price Williams on The Sweet East
Another Space of Reference • The Performances and Videos of Ulysses Jenkins
Road to Mecca • Feet in Water, Head on Fire
Pasolini’s Ashes • Pasolini 101
Criticism vs. Fan Fodder
THE ADULTS • Dustin Guy Defa, US
ASTRAKAN • David Depesseville, France
BEAU IS AFRAID • Ari Aster, US
PAST LIVES • Celine Song, US / South Korea