With unparalleled depth and breadth, Cinema Scope is one of the most respected English-language publications on film worldwide. Cinema Scope unites experienced critics from across North America with up-and-coming writers. Packed with reviews, essays, festival reports, and interviews, we’re geared to cinephiles looking for an intelligent forum on world cinema. “Advocates for a passionate, poltical and purist engagement with the movies”—The New York Times
Cinema Scope
Editor’s Note
Take These Broken Wings • Kelly Reichardt on Showing Up
Telling the Truth Can Be Dangerous Business • The Overdue Enshrinement of Elaine May
Can the Centre Hold? • The Films of Adirley Queirós
The Sea Inside • Helena Wittmann on Human Flowers of Flesh
Satan’s Limbo • Alexander Sokurov’s Fairytale
Timely Circumstances • Cyril Schäublin on Unrest
Myths of New England • On Michael Roemer’s Vengeance Is Mine
The Motern Method • The Films of Matt Farley and Charlie Roxburgh
What Is Cinema? • Olivier Assayas on Irma Vep
Finding Fielder • The Rehearsal
Bologna’s Bounty
Peter Brook • Flickers of Life
British Sounds • On The Afterimage Reader
Evidence Visible from a Distance • Tacita Dean on Fata Morgana
AFTERSUN • Charlotte Wells, UK/US
ALCARRÀS • Carla Simón, Spain/Italy
ENYS MEN • Mark Jenkin, UK
UN ÉTÉ COMME ÇA • Dénis Côté, Canada
FIRE OF LOVE • Sara Dosa, US/Canada
NOPE • Jordan Peele, US