Cinema Scope

With unparalleled depth and breadth, Cinema Scope is one of the most respected English-language publications on film worldwide. Cinema Scope unites experienced critics from across North America with up-and-coming writers. Packed with reviews, essays, festival reports, and interviews, we’re geared to cinephiles looking for an intelligent forum on world cinema. “Advocates for a passionate, poltical and purist engagement with the movies”—The New York Times

Film socialisme

Cinema Scope

Editor’s Note

PHOTO CREDITS

Entre Nous • Alice Diop on Saint Omer

The Asocial Network • Argentine Noir, Borges, and the Labyrinth without a Centre

The Pyramid of Power • Todd Field on Tár

Against Interest • Pierre Clémenti, Filmmaker

In the Bedroom • Bertrand Bonello on Coma

Exhausted • On Juliet Bashore’s Kamikaze Hearts

A Life of Love and Adventure • Laura Citarella on Trenque Lauquen

Alter Egos • On A Woman Escapes

Matters of Fact • Antoine Bourges on Concrete Valley

The Adventures of Gigi the Law • Alessandro Comodin, Italy/France/Belgium

The Eternal Daughter • Joanna Hogg, US/UK

I Have Electric Dreams • Valentina Maurel, Costa Rica/Belgium/France

The Maiden • Graham Foy, Canada

Poet • Darezhan Omirbaev, Kazakhstan

Viking • Stéphane Lafleur, Canada

Lars’ Anatomy • The Kingdom Returns

Godard, Tanner, and Switzerland

La France contre les robots • Straub’s Final Film(s)

ALL THE BEAUTY AND THE BLOODSHED • Laura Poitras, US

ARMAGEDDON TIME • James Gray, US

WHITE NOISE • Noah Baumbach, US

WOMEN TALKING • Sarah Polley, US